There are three fingerings for Bb on saxophone. Depending on the situation (key signature, notes before and after) a particular fingering may be easier in that context. What happens is that a certain Bb fingering lets you move less and be less likely to have a messy connection.
It’s good to have the ability to play all of them. Relying on only one will limit your saxophone technique.
“Side Bb” |
“Bb with ‘bis’ key” |
“Bb with F fingering” |
Thanks to Bret Pimentel for his fingering software.
Rick Hirsch says
A couple more, less-common options:
1) using “1 and 5”. That is a “B” fingering in left hand, F# fingering in right hand. Useful in a quick passage between Bb and F#. Like the “1 & 4” fingering, it’s not totally in tune and has a fairly weak tone, especially compared to the 1st two fingerings listed (side Bb & bis).
(2) using a low Bb with the octave key. Useful when you want a different timbre on this note. Swing era sax players (Ben Webster, Lester Young, etc) would use this (and a low C with octave key) for effect, alternating between this fingering and the “normal” mid-register fingering. I’ve heard Sonny Stitt use it, too.
Happy B-flatting!
~ Rick
Neal says
Thanks Rick, those two will both work fine in passing. Convenient depending on the notes before and after. Probably wouldn’t want to hold the note with the F# Bb fingering. The low Bb with octave key can get you a cool sound though. I use a similar technique with D alternating with side D for a change in sound sometimes.
-Neal
Merry says
Thank you so very much Neil
Do appreciate.
I need à lot of help
Merry
Neal says
You’re welcome